Mixpre 6 ii

MixPre-6 II Series

The Sound Devices MixPre-6 II multitrack field recorder is an ideal tool for those who need pristine audio capture of up to four microphones. With four crystal-clear, ultra low-noise Kashmir preamps, the MixPre-6 II can record multiple actors, multiple podcasters, sound effects, voice-overs, music, and audio for film with superior quality – at an astounding 142dB of dynamic range (up to 32-bit float bit depth and a 192kHz sample rate). Trigger your camera with the internal timecode generator, or feed timecode in via HDMI or Aux In. The choice is yours!

Sennheiser MKH 416

Sennheiser MKH 416

The Sennheiser MKH 416 was engineered with the experienced professional in mind. Its 40Hz to 20kHz frequency response incorporates a gentle rise from 5kHz to 15kHz to increase vocal intelligibility, and a natural bass roll-off to mitigate rumble. Featuring high directivity, low self noise, high consonant articulation and feedback rejection, the Sennheiser MKH 416 can handle difficult exterior filming and reporting conditions eliminating the need for ADR and post-production audio processing. 

Sennheiser MKH 50

Sennheiser MKH 50

The MKH 50 P48 Microphone from Sennheiser is a high quality, professional condenser microphone specifically designed for spot capturing in recording and sound reinforcement applications. The MKH 50 offers exceptional attenuation at the lateral sections of the capsule, for a focused pick up without off-axis noise. Its wide frequency response and high sensitivity result in pristine audio fidelity, no matter the source. The Sennheiser MKH 50 is widely considered to be the industry standard boom microphone for interior dialogue recording.

Denecke TS-3EL

Denecke TS-3EL

The Denecke TS-3EL reads and displays SMPTE/EBU timecode and has an internally mounted syncbox timecode generator. It jams to all standard frame rates, including 23.976 fps and user bits jam automatically when the time is set. The high stability TCXO (Temperature Compensated Crystal Oscillator) ensures low drift and is standard on the TS-3. The EL backlit display is particularly useful during night shoots and on dimly lit stages.

Rycote Super Shield

Rycote Super-Shield

The Super-Shield Kit from Rycote is a complete windshield and shock mounting system for shotgun microphones. The kit contains the Super-Shield Suspension which isolates your microphone from shocks and vibrations, the Super-Shield Windshield which provides wind-noise reduction with minimal high-frequency loss, and the Windjammer, a high-quality synthetic fur cover which provides protection against extreme wind noise.

Comica Wireless

Comica Wireless Kit

The Comica Audio CVM-WM300A two-person, camera-mount wireless lavalier microphone system is a complete solution for recording dialogue, interviews, and speech. Its 96 channels allow interference-free signal quality and easy setup thanks to auto-scan channel selection and automatic IR synchronization. The receiver and transmitters are powered via built-in 2000mAh rechargeable batteries, which provide up to eight hours of standby time and can be recharged via USB.

Countryman B3

Countryman B3 Lavalier Microphones

The black B3 Omnidirectional Lavalier Microphone from Countryman is essential to any well-stocked pro audio toolkit: it captures the highest-quality audio available in a lavalier mic, with field-selectable high-frequency response caps and extremely low handling noise. Whether you need a tie-clip lavalier for an interview, a hair-hidden mic for drama, a water-resistant mic for water sports or hurricane reporting, or simply a small mic to hide in a prop flower vase, you’ll never run out of applications for Countryman’s B3 lavalier. The tonality of the B3 closely resembles that of a shotgun microphone, allowing for a seamless edit when cutting between audio sources in post-production. 

K-Tek KlassicPro

K-Tek 12' KlassicPro Graphite Boompole

The K-Tek 12' KlassicPro Graphite 6-Section Boompole with Internal XLR Coiled Cable, Side Exit from K-Tek features a removable headpiece for cable reconfiguration without soldering. The top attachment is a 3/8" male thread that includes a coiled cable with a KlassicPro right angle connector and a bottom male 3-pin XLR with a side exit. This boompole can be used as a solution for Film, Broadcast TV, Electronic News Gathering (ENG), Electronic Field Productions, (EFP), and other field recording applications.

The KP12CCR boompole measures 40.5" to 12.3' in length.